|
|
Laurie Anderson |
From the Air |
Big Science |
|
|
|
|
Glenn Branca |
Dissonance |
Lesson No 1 |
|
|
|
|
John Cale |
Dream Interpretation |
New York in the 1960s Sampler |
|
|
|
|
Hans Wurman plays a composition by J.S. Bach |
Toccata and Fugue in D Minor |
The Moog Strikes Back |
|
|
|
|
Wendy Carlos |
Prelude and Fugue #2 in C Minor from Book I of The Well Tempered Clavier |
Switched on Bach |
|
|
|
|
Gyorgy Ligeti |
Lux Aeterna |
2001: A Space Odyssey Soundtrack |
|
|
|
|
Michael Krassner |
Telegraph Hill |
Dutch Harbor: Where the Sea Breaks its Back Original Film Soundtrack |
|
|
|
|
Max Richter |
Journey 4 |
Infra |
|
|
|
|
Hauschka |
Iron Shoes |
Foreign Landscapes |
|
|
|
|
Rachel's |
Honeysuckle Suite (Sugar Maple, Elm, Sweetgum) |
Selenography |
|
|
|
|
Alarm Will Sound ensemble plays a composition by Conlon Nancarrow arranged by Yvar Mikhashoff |
Study No 6. for Player Piano |
A/rhythmia |
|
|
|
|
Conlon Nancarrow |
Study No 9. for Player Piano |
Complete Studies for Player Piano, Volume 4 |
|
|
|
|
Luigi and Antonio Russolo |
Corale |
An Anthology of Noise and Electronic Music |
|
|
|
|
Terrestrial Tones |
Magic Trick |
Dead Drunk |
|
|
|
|
Christian Marclay and Otomo Yoshide |
Lucky Seven |
Moving Parts |
|
|
|
|
Bang on a Can plays a composition by Annie Gosfield |
The Manufacture of Tangled Ivory |
Cheating, Lying, Stealing |
|
|
|
|
David Borden |
Esty Point, Summer 1978 |
Places, Times, and the Continuing Story of Counterpoint |
|
|
|
|
Susan Allen plays a composition by Ruth Lomon |
Dust Devils: The Whorl, The Eye, The Jinn |
New Music for Harp |
|
|
|
|
Set Fire to Flames |
Wild Dots of the Thunderbolt/They Cannot Lock Me up . . . I am eternally free (from lips of lying dying wonder body #2) |
Sings Reign Rebuilder |
|
|
