New Music Adds 2/17/25

written by Amir Lahoud on

No . . . your eyes don't deceive you! This is New Music returning for the spring semester! Appearing before you is all of the wonderful music submissions WUVT has received in the new year. Enjoy!

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Adrian Younge, Ali Shaheed Muhammad, Ebo Taylor - Jazz Is Dead 22 - Ebo Taylor

Label: Jazz Is Dead
Genre: Afro Beat
Reviewed by: Len Comaratta
The swirling horns and gritty guitars are reminiscent of his seminal seventies recordings that made him one of Africa’s most prolific and revolutionary artists of all time. This album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove that rhythm is key. The ensemble of Ghanian background vocalists emanates a uniquely spiritual sound that takes the listener back to Ebo’s prime.

AM Music Roundup

written by Amir Lahoud on

Hello, music enthusiasts! We've got a heaping pile of in-depth album reviews for you, sourced from none other than WUVT AM trainees, Bryce McCormick, Gabriel Kadi, Georgia Nickens, Alex Van Marcke de Lummen. Be sure to catch their FM shows Mid-January!

Nick Drake is the quintessential “starving artist”. He began recording music in 1967 to little success or acclaim. He was a folk artist, and hoped to capitalize on the success of other similar artists of that time such as Leonard Cohen and Bob Dylan to no avail. His first of three albums, Five Leaves Left, was released in 1969, only sold 6,000 units, and got very mixed reviews by the few critics that reviewed it. His following album, Bryter Layter, released in 1971 to more positive reviews but the sales didn’t reflect it. Struggling with depression, substance abuse, and the perceived failure of his music career so far, Drake recorded his third and final album with a bit of a twist. This album would be entirely his own work; no backing band, no collaborators, no other writers, just Nick Drake and his guitar...

Click Read more for Bryce's FULL review of the Album, as well as reviews from Gabriel, Georgia, and Alex!

New Music Adds - October

written by Amir Lahoud on

Wait a second. Does that say October? Yes! Before you is a denser collection of all the glorious new music submissions WUVT has received in the last month! Enjoy!

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Aaron Frazer - Into the Blue

Label: Dead Oceans
Genre: R&B / Retro Soul
Reviewed by: Matt Nowinski
Falsetto heaven on a cloud of silky, old-timey soul. This is Aaron Frazer's (drummer and singer for Durand Jones & The Indications) second solo album after his aptly-named 2021 premiere, "Introducing...". "Into the Blue" mixes sounds from Motown, Stax, and even some western twang. The instrumentation is multi-layered, with several tracks featuring orchestral arrangements and backup singers. At times though, the album sounds a bit like a movie soundtrack. The best tracks feature Frazer's crooning over driving rhythmic melodies. Overall, this album is a solid choice for a chill evening.

New Music Adds 10/10/24

written by Amir Lahoud on

Another week of new music! See you next time!

The New Sound Album Cover

Geordie Greep- The New Sound

Label: Rough Trade
Genre: Math Rock / Jazz Pop / Prog Pop
Reviewed by: Hayden Swenson
For Fans Of: Black Midi, Frank Zappa, Steely Dan
The New Sound sees former Black Midi frontman, Geordie Greep, apply his immense musical prowess to an all-new set of influences. This album deftly explores genres such as jazz-rock, prog, and samba with bombastic, theatric flair. The instrumentation here is fantastic! With his one-of-a-kind singing voice and masterful lyricism, Greep vividly depicts narratives and characters that are at once macabre, sinister, and sexual. Track 2 stands out with its Brazillian-inspired composition. It's a shame most of this can't be played during the day!

New Music Adds 10/3/24

written by Amir Lahoud on

Another week of new music! Hooray!

Fight the Real Terror Album Cover

My Brightest Diamond- Fight the Real Terror

Label: Western Vinyl
Genre: Baroque Pop, Chamber Folk
Reviewed by: Baile Liu
For Fans Of: Bjork
Fight the Real Terror flexes the artist's wide breath of multi-instrumental abilities. Most of the tracks use acoustic instrumentation, but track 4 comes in with an upbeat electronic drum beat. The artist's voice is somber/Bjork-like but gets a bit bold and aggressive in Rocket in a Pocket. The lyrics on this album walk the line of cringe to poetic. Tracks 2 and 5 are especially cringe. However, track 7 has majestic angelic vocals and is beautiful. Overall I think this is a good album to add to your show stack!

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